Description

The Miracle Fighters is a comedic tale of taoist magic directed by the martial arts maestro behind Drunken Master, The Magnificent Butcher and Iron Monkey – the legendary Yuen Woo-ping!

During the Quing dynasty, marriage between Manchu and Han people is outlawed. When it is discovered that high-ranking official Kao Hsiung (Eddy Ko) has taken a Han wife, the Emperor informs him that he will be forgiven – but only if he kills his beloved before the court. When he refuses, Kao Hsiung is marked for death by the powerful Sorcerer Bat (Shun-yee Yuen) and forced to watch as his wife is slain before his eyes. Kao Hsiung flees, kidnapping the Crown Prince during his escape – but soon the prince is dead, and Kao Hsiung is forced to silently replace him with another young boy. In adulthood, that innocent child – Shu Gut (Yat-Chor Yuen) – finds himself relentlessly pursued by Sorcerer Bat, and turns to two quarrelling taoist priests in the hope of protecting himself with their magic.

Made in the same mould as its contemporaries Encounter of the Spooky Kind and The Dead and the Deadly, this riotous kung fu fantasy was followed by two equally entertaining thematic sequels in Shaolin Drunkard and Taoism Drunkard. Eureka Classics is proud to present The Miracle Fighters on Blu-ray from a brand new 2K restoration.

FEATURES:
Limited edition O-Card slipcase featuring new artwork by Darren Wheeling
1080p HD presentation on Blu-ray of the original Hong Kong theatrical cut from a brand new 2K restoration
Original Cantonese mono audio and optional classic English dub
Optional English subtitles, newly translated for this release
Brand new audio commentary on the Hong Kong theatrical version by Asian film expert Frank Djeng (NY Asian Film Festival)
Brand new audio commentary on the export version by action cinema experts Mike Leeder and Arne Venema
John Kreng on Yuen Woo-ping – brand new documentary featurette by Michael Worth
Reversible sleeve featuring original poster artwork
Trailer
Limited edition collector’s booklet featuring new writing on the film by James Oliver